Fretting Hand Guitar Techniques
Finger Independence
In the animated example notice how each finger is independent while playing the C major scale. You should try to keep each finger separate and avoid them touching each other. At first you may need to play slower to achieve this.
In the animated example notice how each finger is independent while playing the C major scale. You should try to keep each finger separate and avoid them touching each other. At first you may need to play slower to achieve this.
Controlling Pressure
Guitar technique is also about control between applying pressure to the frets when playing something and releasing the pressure when moving to something else, particularly when moving up and down the fret-board.
When playing power chords I sometimes notice beginners seem to drag their finger(s) up and down the fret-board from one chord to the next. This is because they arenāt releasing the pressure quickly enough before moving to the next chord and thereās too much tension in the hand. To improve on this I get them to play slowly and break the process down to separate movements of on / off / move / on / off / move etc. It may seem a bit mechanical compared to how when played within music it sounds flowing, but the process is the same, albeit at different speed.
Below is a basic power chord exercise; be aware of the process of “on” when playing the chord and “off” when releasing the pressure before changing to the next. Start slowly at first, using a metronome to stay in time can help. The rhythms are simple so you can strum each chord downward leaving you to concentrate on the fretting hand.
Note: To make it easier you could also play power chords with only the 1st and 3rd fingers, omitting the note played by the little finger.
Changing between Barre chords up and down the fret-board will be a bit trickier as more fretting hand fingers are needed as well as more pressure so changing between them will take a greater degree of effort. Below are two Barre chord exercises. As for the previous power chord exercises be aware of the process of “on” when playing the chord and “off” when releasing the pressure before changing to the next chord. Remember to start slowly. The āA Bmā exercise is between a major chord and a minor chord. Remember to change the fingering to suit each chord.